We employ a Registered Fine Art Conservator with over 25 years experience and specialises in how to remove artwork that has been stuck down, treat discolouration and re-size fragile artwork.

She also specialises in cleaning and repairing oil paintings, watercolours, pastels, prints, drawings and etchings. Original/antique frames repaired tidied and missing areas replaced.

Typical threats to artwork are:
Ultra-violet light (UV)
Humidity and damp
Insects and mould
Air-borne pollutants
Quality of materials
Techniques employed

Ideally all artwork should be in a stable condition prior to framing i.e. not damaged, stained, stuck down on an old card backing. The paper may be brittle, fragile or discoloured as a result of its inherent properties and the materials with which it was previously framed.

Artwork on paper must always be glazed, as paper deteriorates rapidly if it is not protected from the environment in this way. We use specialist glazing where required called Tru View as it provides a UV filter of up to 98%.

about.


conservation framing has developed in order to protect artwork


Our framers are Guild Commended Framers which means they adhere to conservation framing as laid down by The Fine Art Trade Guild.

We use white core and conservation mount card, which complies to FATG Standard and FATG Conservation level, we also use Cotton Core which complies to FATG Museum level on all our antique artwork.

Our backboard is Conservation Artbak and we use archival hinge tape to secure antique artwork, originals and limited edition prints. We use G Brown Gummed Tape to secure the back of the frame.


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